A Snapshot of the Image-Driven World: The Déjà-Vu of Meiji Japan in British Visual Culture, c.1887-1910 Reproduction, from photomechanical printing to digitisation, can make literally countless copies of any one image. Researching pictures of Meiji-period Japan (1868-1912) by British artists in reproducible mediums, one question that I keep finding myself returning to is how to … Continue reading Haven’t I Seen This Before? The Déjà-Vu of Meiji Japan in an Image-Driven World